The cruel King Ottokar of Bohemia, spoiled by fortune and unpredictable, is dead. Now, with the modest Rudolf of Habsburg, peace has finally returned to Austria, for he replaces tyrannical arbitrariness with God-fearing clemency—and the way is clear for a story that lasted 700 years and bears the title: "The Habsburgs in Austria." With this view of Franz Grillparzer's play, many productions have been staged since the premiere of "King Ottokar's Fortune and End" – Rudolf of Habsburg as the gatekeeper to the dawn of a new, better era. It became clear what a great projection screen Grillparzer's play offered. It should really be called "The Habsburgs' rise to power as a development toward the good, the just, the orderly." But it is called "King Ottokar's Fortune and End," and that is what it is about—the fortune and end of a human being and how the one is sometimes directly connected to the other.

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The two sailors Collin and Jacky get very rich thanks to a miracle bottle and the devilish liquid it contains. They are envied and courted by many. But they soon experience that wealth does not protect against strokes of ill fate.

Johann Gottfried Schadow is only in his early twenties when he is put in charge of the royal sculptor's workshop in Prussia's capital Berlin. He is supported in this position above all by the fair ladies.

The story of a young woman named Maria, who unexpectedly inherits a royal title and a castle after the death of her uncle, a king. Heavily reliant on archival footage of various notables, both stars and royalty.

A woman travels to New Zealand for the purpose of visiting his daughter. Give the fact that your company is interested in buying the farm where the girl works. But when her daughter announces the unexpected commitment to the son of the owner of the farm, a series of unexpected events completely change the two families.

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